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Guidelines for constructing an ethnomusicological fieldwork project
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Guidelines for developing an ethnomusicological fieldwork project
[with acknowledgments to Titon’s
Worlds of Music
]
Generating ideas/where to look
Family and family contexts: home, church, travel, life-cycle events
Generation groups and organization’s w/ generation-specific profile
Avocation: amateur music-making contexts
Religion: music in worship contexts and music in religion-specific communities
Ethnicity
Regionalism
Nationalism/national identity
Commercial contexts
Musical ethnography: “a written representation and description of a music-culture, organized from the standpoint of a particular topic.”
May be accompanied by documentation in various different media.
Goal: to understand a music-culture or some part of it from a native’s or insider’s point of view.
Begin with developing a model of the music culture in question, perhaps:
Music > Performers > Audience > Time and Space
Modes of interacting with research subjects
Issues of documentation: notes, recordings (A/V), participant observation, other
Develop a bibliography of relative previous studies, especially of area-specific ethnographies and/or journal literature.
Breadth of focus: individual? Family group? Social group? Ethnicity?
Gaining entry: moving from public toward private contexts. Use of contacts and referrals. Issues of honesty and patience.
Repeatedly refine focus.
Move toward thesis statement.
In observation situation, maintain awareness of necessary variant perspectives.
Ethics of collecting and observer behavior
Write up field notes regularly!
Topics for observation:
Teaching/learning situations
Terminology
Aesthetics
Rehearsals
Composition
“Business” of music
Variant social contexts for performances
Feedback from participants
Patterns and structures of behavior
Think about interview technique and its pitfalls
Think about questionnaire design and its pitfalls
Post-fieldwork:
Confidentiality issues
Followup with participants
Recompense of participants
Shape of final report: thesis, evidence, argument, conclusion
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Guidelines for developing an ethnomusicological fieldwork project
[with acknowledgments to Titon’s Worlds of Music]
Generating ideas/where to look
Musical ethnography: “a written representation and description of a music-culture, organized from the standpoint of a particular topic.”
May be accompanied by documentation in various different media.
Goal: to understand a music-culture or some part of it from a native’s or insider’s point of view.
Begin with developing a model of the music culture in question, perhaps:
Music > Performers > Audience > Time and Space
Modes of interacting with research subjects
Issues of documentation: notes, recordings (A/V), participant observation, other
Develop a bibliography of relative previous studies, especially of area-specific ethnographies and/or journal literature.
Breadth of focus: individual? Family group? Social group? Ethnicity?
Gaining entry: moving from public toward private contexts. Use of contacts and referrals. Issues of honesty and patience.
Repeatedly refine focus.
Move toward thesis statement.
In observation situation, maintain awareness of necessary variant perspectives.
Ethics of collecting and observer behavior
Write up field notes regularly!
Topics for observation:
Think about interview technique and its pitfalls
Think about questionnaire design and its pitfalls
Post-fieldwork:
Shape of final report: thesis, evidence, argument, conclusion